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Big Neck Records

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An American independent record label associated with garage rock, punk, and rockabilly.

Last updated August 25, 2026

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Overview

Big Neck Records is an American independent record label founded and operated by Bart Hart. The label began in Buffalo, New York, in 1995, initially functioning as an extension of the local music community surrounding The Sanctuary nightclub. Hart opened The Sanctuary that year after leaving his earlier nightclub, Asbury Alley, and used the venue as a setting for performances by emerging garage-rock, punk, rockabilly, and related acts. Big Neck's first releases were two seven-inch EPs: the Blowtops release Voodoo Alley and the Baseball Furies release This Is the World's Greatest Rock & Roll Record. These early records established the label's emphasis on compact-format independent releases and raw, guitar-driven music rather than mainstream commercial production. The label subsequently moved from Buffalo to Washington, D.C. Its catalog and associated roster have included a broad range of underground and revivalist performers, including Bart and the Brats, the Baseball Furies, the Blowtops, Concubine Forming, Fire Heads, Hollywood, the Hussy, Lost Sounds, the Ponys, Radio Beats, Red Red Red, Stop Worrying and Love the Bomb, Tractor Sex Fatality, the Trailerpark Tornados, the Tyrades, Sonny Vincent, Violent Lovers Club, Wood Chickens, NightFreak, and Science Man. The roster reflects Big Neck's role as a home for local and touring acts connected to garage punk, lo-fi rock, rockabilly, and adjacent independent scenes. Rather than operating as a large multinational music company, Big Neck Records has been identified with the small-label model: artist-centered releases, genre-focused curation, and close ties to clubs and live music networks. Its early relationship with The Sanctuary is particularly important to the label's identity, because the venue supplied a practical community and performance infrastructure for the artists whose records Big Neck released. The available reference material does not establish a complete release chronology, current ownership structure beyond Hart's founding and operation, financial results, distribution agreements, or a confirmed present-day operating status. Accordingly, the label is best described as an independent American imprint with historical activity spanning Buffalo and Washington, D.C., while its current status remains unverified.

History

Big Neck Records emerged in Buffalo, New York, in 1995 under the direction of Bart Hart. Its formation was closely connected to Hart's work in the city's independent nightlife and music scene. After leaving the Asbury Alley nightclub, Hart opened The Sanctuary in 1995. The club hosted performers and groups associated with the same underground musical environment that later supplied much of Big Neck's catalog. The label's first documented releases were two seven-inch EPs issued in its inaugural year. The Blowtops contributed Voodoo Alley, while the Baseball Furies released This Is the World's Greatest Rock & Roll Record. These records placed the label within the American garage-rock and punk underground, where short-run vinyl releases and venue-based networks were important tools for developing artists and reaching specialist audiences. Big Neck later relocated to Washington, D.C. The move placed the label in another significant American independent-music environment while preserving its focus on non-mainstream rock forms. Its documented roster includes the Baseball Furies, the Blowtops, Bart and the Brats, Concubine Forming, Fire Heads, Hollywood, the Hussy, Lost Sounds, the Ponys, Radio Beats, Red Red Red, Stop Worrying and Love the Bomb, Tractor Sex Fatality, the Trailerpark Tornados, the Tyrades, Sonny Vincent, Violent Lovers Club, Wood Chickens, NightFreak, and Science Man. The range of acts suggests a catalog built around garage rock, punk, rockabilly, lo-fi aesthetics, and neighboring forms of underground guitar music. Big Neck's historical significance lies less in scale than in its connection to an active local scene. The label's origins in a nightclub, its early seven-inch releases, and its association with a rotating roster of independent bands illustrate how small record companies can operate as extensions of live-music communities. The available sources do not provide a full discography, detailed release dates beyond the founding period, distribution data, staff history, financial information, or reliable confirmation of the label's current activity. The label's present status should therefore be treated as unconfirmed.

  • 1995

    Label founded in Buffalo

    [1]

    Bart Hart founded and operated Big Neck Records in Buffalo, New York, in connection with the local scene around The Sanctuary nightclub.

  • 1995

    First documented seven-inch releases

    [1]

    The label began its release history with the Blowtops' Voodoo Alley and the Baseball Furies' This Is the World's Greatest Rock & Roll Record.

  • Relocation to Washington, D.C.

    [1]

    Big Neck Records subsequently moved from Buffalo to Washington, D.C.; the available reference does not specify the year of the relocation.

Products and positioning

Independent, scene-oriented label specializing in garage rock, punk, rockabilly, and related underground music.

  • Seven-inch EP · 1995

    Voodoo Alley

    A documented early Big Neck Records release by the Blowtops. Issued during the label's founding period in 1995, it represents the imprint's initial commitment to compact-format garage and punk-oriented releases.

  • Seven-inch EP · 1995

    This Is the World's Greatest Rock & Roll Record

    A documented 1995 seven-inch EP by the Baseball Furies and one of Big Neck Records' first releases. The title belongs to the label's early Buffalo period and reflects its focus on independent rock acts connected to local and touring scenes.

  • Music recordings

    Big Neck independent catalog

    The label's broader offering consists of recordings by underground garage-rock, punk, rockabilly, and adjacent acts. Documented associated performers include Lost Sounds, the Ponys, Sonny Vincent, the Tyrades, the Hussy, and numerous other independent groups.

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