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Document Records

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Document Records is an independent record label specializing in historically significant reissues of blues, gospel, jazz, bluegrass, spiritual, and other roots-music recordings.

Last updated August 31, 2026

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Overview

Document Records is an independent record label founded in Austria in 1986 and later relocated to Newton Stewart in Scotland. The label was established by Johnny Parth, who had previously operated Roots Records, with the initial aim of bringing previously unreleased blues and gospel recordings to European listeners. Its early catalogue focused on music recorded before the 1942–44 American musicians’ strike, a period that includes many important but commercially underrepresented performances from the formative decades of recorded blues and gospel. A defining feature of Document Records has been its archival and reissue-oriented approach rather than the development of a conventional contemporary artist roster. In 1990, the label moved from vinyl LP production to compact discs. That change allowed Document to consolidate material into more systematic, chronological editions and to bring an increasing share of its catalogue under the Document name as other label identities were phased out. The label pursued an ambitious policy of reissuing as many recordings as possible from the discographic reference work Blues and Gospel Records: 1890–1943. The catalogue subsequently expanded beyond blues and gospel. Document Records incorporated bluegrass, spiritual music, jazz, and related rural American genres, broadly treating roots music recorded between 1900 and 1945 as its field of activity. The label’s value proposition rests on preservation, documentation, chronological organization, and access to recordings that may otherwise remain difficult to find. Its releases serve collectors, historians, specialist listeners, libraries, and audiences interested in the development of American vernacular music. Since 2000, Document Records has been owned by Gary and Gillian Atkinson and has operated from Scotland. The business retains an international orientation, reflecting both its Austrian origins and the cross-border nature of its catalogue, which is centered largely on historical American recordings. It also holds exclusive rights to a substantial body of previously unreleased music and other audio material produced by Edison Records between 1914 and 1929. This Edison-related material gives the label an additional archival role beyond its better-known blues and gospel reissues. Document Records has received recognition from the blues community for its contribution to preserving and circulating historical recordings. In 2018, The Blues Foundation honored the company with a Keeping the Blues Alive Award. The label was identified as the only United Kingdom-based recipient of that award. Its continuing identity is therefore closely associated with specialist music preservation, scholarly reissue work, and the international dissemination of early twentieth-century roots music.

History

Document Records was established in Austria in 1986 by Johnny Parth, a former owner of Roots Records. Its original purpose was to make previously unreleased blues and gospel recordings available through European record-label channels. The initial programme concentrated on recordings made before the 1942–44 musicians’ strike, a historically important period in which a large body of American blues and gospel material had been recorded but was not readily accessible to modern listeners. The label changed its production format in 1990, moving from vinyl LPs to compact discs. This transition was more than a change in physical format. It enabled Document to reorganize its catalogue into fuller chronological reissue programmes and to consolidate releases increasingly under the Document name. As the business developed, earlier use of other label names was reduced, allowing Document Records to present a more unified archival identity. The label adopted an expansive reissue policy based in part on the recordings listed in Blues and Gospel Records: 1890–1943. Rather than limiting its work to a small selection of canonical performers, Document sought to reissue as many listed recordings as possible. This approach positioned the company as a specialist discographic and preservation operation, with a catalogue designed to support both listening and historical research. Document’s scope widened over time to include bluegrass, spiritual music, jazz, and other forms of rural American music. The broad period covered by its roots-music catalogue generally extends from 1900 to 1945. This expansion reflected the connections among early blues, gospel, jazz, country-related traditions, and other forms of American vernacular music, while also giving listeners access to recordings that had often been issued only sporadically or were difficult to locate. Since 2000, the company has been owned by Gary and Gillian Atkinson. Its base moved to Newton Stewart in Scotland, making Document a Scotland-based label with Austrian origins and an internationally focused catalogue. The business has also held exclusive rights to a significant quantity of unreleased music and other audio material made by Edison Records between 1914 and 1929. The Edison holdings complement Document’s roots-music work by extending its archival activities into another major body of early recorded sound. Document Records received institutional recognition in 2018, when The Blues Foundation presented it with a Keeping the Blues Alive Award. It was recognized as the only United Kingdom-based recipient of that award. The honor reinforced the label’s reputation as a preservation-oriented organization whose contribution lies in recovering, organizing, and distributing historically important recordings rather than primarily in launching contemporary commercial acts.

  • 2018

    Keeping the Blues Alive Award

    [1]

    The Blues Foundation honors Document Records for its contribution to blues preservation and recognizes it as the only United Kingdom-based recipient of the award.

  • 2000

    Ownership passes to Gary and Gillian Atkinson

    [1]

    Gary and Gillian Atkinson become the owners of Document Records, which is subsequently based in Newton Stewart, Scotland.

  • 1990

    The label moves from LPs to CDs

    [1]

    Document changes its production format from vinyl LPs to compact discs and begins consolidating its catalogue into more complete chronological reissues.

  • 1990

    Catalogue policy expands around Blues and Gospel Records: 1890–1943

    [1]

    The label adopts a policy of reissuing as many recordings as possible from the major blues and gospel discographic reference work.

  • 1986

    Document Records is founded in Austria

    [1]

    Johnny Parth establishes Document Records to make previously unreleased blues and gospel recordings available through European labels.

Products and positioning

An archival specialist record label focused on the preservation, documentation, chronological reissue, and international distribution of early blues, gospel, jazz, bluegrass, spiritual, and related roots-music recordings.

  • Archival music reissues · 1986

    Blues reissues

    Document Records’ core catalogue consists of reissued blues recordings, particularly material from the early decades of recorded music. The label emphasizes historical coverage and chronological organization, making its releases useful to collectors and researchers as well as general listeners. Its programme aims to recover recordings that were previously unreleased, obscure, or difficult to obtain through mainstream catalogues.

  • Archival music reissues · 1986

    Gospel and spiritual music reissues

    Gospel and spiritual recordings formed a central part of Document Records’ founding mission. Releases in this area preserve early religious and devotional performances and place them within broader chronological discographies. The label’s work helps connect gospel traditions with the development of blues, jazz, and other American roots genres.

  • Archival music reissues

    Early jazz reissues

    The label’s later catalogue includes early jazz recordings alongside blues and gospel. These releases reflect Document’s broad interpretation of roots music and its interest in the relationships among rural and urban American recording traditions during the first half of the twentieth century.

  • Archival music reissues

    Bluegrass and rural American music reissues

    Document expanded into bluegrass and related rural American genres, generally covering recordings made between approximately 1900 and 1945. The releases extend the label’s archival remit beyond blues and gospel while retaining its emphasis on historical documentation and access to hard-to-find performances.

  • Archival audio rights and releases

    Edison Records archival material

    Document Records holds exclusive rights to a substantial body of unreleased music and other audio material produced by Edison Records between 1914 and 1929. This collection gives the label an additional role in the preservation and circulation of early recorded sound beyond its roots-music reissue catalogue.

Brand decisions

  • 1990

    Shift from LP production to CD-based archival reissuesStrategy

    Background

    Document Records faced the changing physical-media environment of the early 1990s and used the move to compact discs to reorganize its catalogue.

    Action taken

    The label discontinued its LP-focused production approach and consolidated more complete, chronological reissue programmes on CD, increasingly using the Document name across the catalogue.

    Aftermath

    The format change supported a more systematic archival programme and helped establish Document’s identity as a comprehensive historical reissue label.

  • 1990

    Expansion into a broad roots-music catalogueStrategy

    Background

    After establishing its blues and gospel focus, Document sought to cover a wider body of early American vernacular recordings.

    Action taken

    The label expanded its scope to include bluegrass, spiritual music, jazz, and other rural American genres recorded mainly between 1900 and 1945.

    Aftermath

    Document developed a broader archival position spanning several connected roots-music traditions.

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