Skip to content

Emperor Norton Records

Request correction

Corporate brand

Unclaimed

A Los Angeles independent record label associated with electronica, hip-hop, dance music, and film soundtracks.

Last updated August 25, 2026

AI crawler reads

No AI crawler has read this profile yet.

Overview

Emperor Norton Records was an independent record label based in Los Angeles, California. Its catalog was associated primarily with electronica, hip-hop, dance music, and adjacent forms of alternative pop and club-oriented music. The label was founded by Peter Getty, a member of the Getty family, and took its name from Joshua A. Norton, the nineteenth-century San Francisco resident who proclaimed himself Emperor of the United States and Protector of Mexico in 1859. The historical reference gave the label an eccentric, distinctly American identity that complemented its interest in stylized, international, and electronically driven music. The label’s roster and releases brought together artists from a wide range of scenes rather than following a single narrowly defined genre. Acts connected with Emperor Norton included Ladytron, Arling & Cameron, Money Mark, Ugly Duckling, Phaser, Fantastic Plastic Machine, Buffalo Daughter, Bertrand Burgalat, Felix da Housecat, Miss Kittin, Señor Coconut, Pepe Deluxé, Titán, Takako Minekawa, Olivia Tremor Control, and Bruce Haack, among many others. This breadth placed the company at the intersection of electronic music, indie pop, hip-hop, lounge, experimental music, and dance culture. Some artists were established figures in their respective niches, while others represented the label’s taste-making role in introducing unusual or internationally oriented projects to a broader audience. Emperor Norton also became visible through soundtrack releases. Its soundtrack-related catalog included music connected with the films "Lost in Translation," "CQ," "The Virgin Suicides," and "Thinking XXX." These releases extended the label’s reach beyond conventional artist albums and associated its brand with film-driven curation, atmospheric music, and the use of contemporary electronic and alternative tracks in cinema. The soundtrack work was consistent with the label’s eclectic catalog strategy, which emphasized distinctive mood, design, and cultural positioning as much as genre classification. In 2004, Rykodisc purchased Emperor Norton Records. The label was subsequently shut down later that year in an acrimonious closure, while Rykodisc retained and inherited its back catalog. This ended Emperor Norton’s operation as an active imprint but preserved its recordings within the acquiring company’s catalog assets. In 2006, Warner Music Group announced the acquisition of Ryko Corporation for $67.5 million. That later transaction placed the former Emperor Norton catalog within a broader corporate music-ownership structure, although the available reference material does not establish that Emperor Norton resumed operations or that it became an active Warner label. Emperor Norton Records is therefore best understood as a defunct independent label whose historical importance rests on its eclectic artist roster, its connection to electronic and dance-oriented music, and its soundtrack catalog. Its operating period was relatively short, but the breadth of its releases and the subsequent preservation of its back catalog through Rykodisc gave the brand a continuing place in the history of independent music distribution.

History

Emperor Norton Records emerged in Los Angeles as an independent label founded by Peter Getty. Its name referred to Joshua A. Norton, a San Francisco figure who declared himself Emperor of the United States and Protector of Mexico in 1859. The choice of name gave the company an unconventional historical and cultural identity rather than a conventional corporate one. The label developed a broad catalog spanning electronica, hip-hop, dance music, indie pop, lounge, experimental work, and related styles. Its artists included Ladytron, Arling & Cameron, Buffalo Daughter, Bertrand Burgalat, Call & Response, Cato Salsa Experience, Fantastic Plastic Machine, Felix da Housecat, Golden Boy, Bruce Haack, Money Mark, Miss Kittin, Takako Minekawa, Señor Coconut, Pepe Deluxé, Titán, Ugly Duckling, and many others. The roster reflected a curatorial approach that connected electronic production, alternative music, international pop, and club culture. Soundtracks formed another important part of the label’s activity. Emperor Norton released or was associated with soundtrack projects for "CQ," "Lost in Translation," "Thinking XXX," and "The Virgin Suicides." These projects broadened its public profile and demonstrated the label’s interest in mood-based, cinematic, and cross-genre programming. Rykodisc purchased Emperor Norton Records in 2004. The label was then shut down later that year in an acrimonious closure, while Rykodisc inherited its back catalog. Emperor Norton consequently ceased to function as an active independent imprint, although recordings connected with its releases remained part of the acquiring company’s catalog. On March 23, 2006, Warner Music Group announced that it had acquired the Ryko Corporation for $67.5 million. The available reference does not indicate that Emperor Norton was revived after either transaction.

  • 2006

    Ryko Corporation acquired by Warner Music Group

    [1]

    Warner Music Group announced the acquisition of Ryko Corporation for $67.5 million, extending ownership of the former Emperor Norton catalog within the Ryko organization.

  • 2004

    Rykodisc acquisition and closure

    [1]

    Rykodisc purchased Emperor Norton Records, after which the label was shut down later in the year and its back catalog was retained by Rykodisc.

  • Label founded in Los Angeles

    [1]

    Peter Getty founded Emperor Norton Records as a Los Angeles independent record label focused on eclectic electronic, dance, hip-hop, and related music.

Products and positioning

An eclectic Los Angeles independent label focused on electronically oriented, dance, hip-hop, alternative, and internationally inflected music, with a notable role in soundtrack curation.

  • Music catalog

    Artist recordings

    The label released albums, singles, and other recordings by artists working across electronica, dance music, hip-hop, indie pop, lounge, and experimental styles. Representative acts included Ladytron, Arling & Cameron, Money Mark, Ugly Duckling, Phaser, Fantastic Plastic Machine, Felix da Housecat, Miss Kittin, Señor Coconut, Pepe Deluxé, and Titán.

  • Soundtrack albums

    Film soundtracks

    Emperor Norton’s soundtrack-related releases included projects connected with "Lost in Translation," "CQ," "The Virgin Suicides," and "Thinking XXX." These albums linked the label’s eclectic electronic and alternative catalog to film-oriented music supervision and cinematic listening.

Brand decisions

  • 2004

    Sell the label to RykodiscM&A

    Background

    Emperor Norton Records was acquired by Rykodisc during a period when independent music catalogs were being consolidated by larger specialist distributors and record companies.

    Action taken

    Rykodisc purchased the label and assumed control of its catalog.

    Aftermath

    The label was shut down later in 2004, while its back catalog remained with Rykodisc.

  • 2004

    Close Emperor Norton Records after acquisitionStrategy

    Background

    After Rykodisc acquired the company, Emperor Norton Records was subject to an acrimonious shutdown.

    Action taken

    The operating label was closed and its catalog was inherited by Rykodisc.

    Aftermath

    Emperor Norton ceased operating as an active label, although its recordings continued as part of the acquiring company’s catalog.

Sources1 sources

Cite this profile: Cite the canonical profile. /brand-wiki/emperor-norton-records · Editorial policy · How profiles are compiled