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His Master's Voice

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Trademark

Unclaimed

His Master's Voice is an internationally used entertainment trademark depicting the dog Nipper listening to a gramophone.

Last updated August 22, 2026

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Overview

His Master's Voice is a historic entertainment and consumer-products trademark built around an image of a dog named Nipper listening to a gramophone. The image originated in a painting created by English artist Francis Barraud in 1898. Barraud initially depicted Nipper listening to a cylinder phonograph, but the work became commercially significant after William Barry Owen, founder of the Gramophone Company in England, acquired it on the condition that the cylinder machine be replaced with a disc gramophone. The revised image was used in company catalogues from 1899 and subsequently became one of the most recognizable symbols in the history of recorded sound. The phrase and image were closely associated with the Gramophone Company, whose record labels prominently displayed the dog and gramophone. From 1909, the mark replaced the company's earlier Recording Angel symbol on labels. Because the words His Master's Voice appeared prominently around the label design, the company and its products increasingly became known by the initials HMV and by the trademark name itself. The Gramophone Company used the brand across records, gramophones, catalogues, advertising, and retail operations, and expanded it through subsidiaries and licensees in Europe, the British Empire, and other markets. Local versions included La Voix de son maître in France and La voce del padrone in Italy. The brand also became associated with physical retail. In 1921, the Gramophone Company opened an HMV shop on Oxford Street in London, followed by a broader chain selling records, gramophones, sheet music, and related equipment. The company's Australian and New Zealand record-label operations were established in the 1920s. In 1931, the Gramophone Company became part of EMI, placing the trademark within one of the twentieth century's most important recording and music-technology groups. The same image developed along separate corporate paths in different territories. In the United States, Emile Berliner helped introduce the mark to the Victor business, which became RCA Victor after RCA acquired the Victor Talking Machine Company in 1929. RCA used the symbol on records, radios, televisions, and other consumer electronics before reducing its prominence in favor of the RCA lightning-bolt logo. In Japan, the Victor business developed into JVC and related Victor music and electronics companies, which retained rights to use the mark in the Japanese market. Territorial rights therefore became fragmented among record companies, electronics businesses, retailers, and specialist trademark-holding entities. EMI gradually phased out the HMV record label in the late twentieth century, replacing it in much of its classical-recording business with EMI Classics. EMI separated the HMV retail operation in 1998, while initially retaining the trademark and licensing it to the retailer. A formal transfer to HMV Media Group took place in 2003. After HMV Group entered administration in 2013, Hilco Capital rescued the British retail business and retained or administered certain trademark rights through Mermaid (Brands) Limited, while rights in selected Asian territories were sold to AID Partners Capital and later associated with HMV Brand Pte. Ltd. Today, His Master's Voice is best understood as a portfolio of territorially divided trademark rights rather than a single vertically integrated company. It continues to appear on music releases, audio equipment, apparel, merchandise, entertainment retail, and licensed products. Its continuing recognition rests on the unusual combination of a memorable visual mascot, early adoption by the recorded-music industry, extensive international licensing, and the historical importance of the Gramophone Company, EMI, Victor, RCA, JVC, and HMV retail businesses.

History

Francis Barraud painted the original His Master's Voice image in 1898. The painting showed Nipper, a dog associated with Barraud's brother, listening to a cylinder phonograph. Barraud sought copyright protection in 1899 under a descriptive title, but an initial attempt to sell the painting to Edison Bell was unsuccessful. William Barry Owen of the Gramophone Company offered to buy it if Barraud replaced the cylinder machine with a disc gramophone made by the Gramophone Company. Barraud made the alteration, and the image appeared in the company's catalogue in December 1899. The Gramophone Company soon used the design on its gramophones, advertising, and record labels. In 1909, the image replaced the company's earlier Recording Angel symbol on record labels. The prominence of the words His Master's Voice around the label led the business, its products, and eventually its shops to become widely identified by the HMV name. The company expanded internationally through subsidiaries, exports, and licensing arrangements. French and Italian operations used translated forms of the phrase, while other markets developed their own corporate relationships with the mark. In 1921, the company opened its first His Master's Voice shop on Oxford Street in London. The retail concept expanded into a chain selling records, gramophones, sheet music, and accessories. Record-label operations were established in Australia in 1925 and New Zealand in 1926. The Gramophone Company joined the newly formed EMI group in 1931, bringing the HMV trademark into a major international recording and electronics organization. The trademark followed different corporate histories in different territories. In the United States, Emile Berliner introduced the image to the Victor business, which became the RCA Victor Division after RCA acquired Victor in 1929. RCA used the mark on records and consumer electronics, although its use on electronics declined as the RCA lightning-bolt identity became dominant. RCA periodically revived the mark for record labels and products, but later ownership changes fragmented the rights. RCA Records was sold by Bertelsmann to Sony Music Entertainment in 2008, with continued use of relevant RCA and HMV marks under licence in applicable territories. In Japan, the Victor Talking Machine Company of Japan was established in 1927. It later became JVC and retained Victor and His Master's Voice rights after separating from RCA during the Second World War. Victor Musical Industries, founded in 1972, used the logo in music and film distribution and was later renamed Victor Entertainment. JVC and Kenwood formed JVCKenwood in 2008, and the Victor side of that business continued to use the mark in Japan, especially in connection with audio products. EMI launched HMV retail operations in several international markets during the 1980s, but territorial restrictions meant that the full Nipper logo could not be used everywhere. In countries including the United States, Canada, and Japan, the retailer sometimes used only the HMV initials. EMI sold its Indian Gramophone Company branch in 1985, although the His Master's Voice name continued in India under licence until 2003. EMI began phasing out the HMV record label around 1990 and separated the retail business in 1998. The formal trademark transfer to HMV Media Group occurred in June 2003. HMV Group later encountered severe financial pressure and entered administration in 2013. Hilco Capital rescued the British stores and retained selected intellectual-property rights through Mermaid (Brands) Limited. HMV Group also sold its Hong Kong and Singapore stores to AID Partners Capital in 2013, together with selected Asian HMV and His Master's Voice rights. Those rights later became associated with HMV Brand Pte. Ltd. Other territories remained controlled by separate owners or licensees, including entities linked to Talisman Brands and Victor Musical Industries. The continuing history of His Master's Voice is therefore defined by licensing, territorial ownership, and corporate succession. The image has survived the transition from acoustic recording to electrical recording, radio, television, compact discs, digital sound, specialist retail, and branded consumer goods. Its legal fragmentation has also produced non-use and bad-faith disputes, demonstrating that the mark remains commercially valuable even though no single company controls it globally.

  • 2023

    Victor Musical Industries licenses the mark

    [1]

    Talisman Brands licenses His Master's Voice to Victor Musical Industries for branded consumer electronics and apparel.

  • 2022

    Talisman Brands acquires RCA and related marks

    [1]

    Talisman Brands acquires RCA and His Master's Voice trademarks previously associated with the RCA lineage.

  • 2013

    Rights become more fragmented after HMV restructuring

    [1]

    Hilco Capital rescues the British stores, while selected Hong Kong and Singapore assets and intellectual-property rights are sold to AID Partners Capital.

  • 2003

    Trademark transfer is completed

    [1]

    His Master's Voice passes formally from EMI Records to HMV Media Group, and the Indian label adopts the Saregama name.

  • 1998

    HMV retail becomes independent

    [1]

    EMI divests the HMV retail business, which becomes HMV Media Group while trademark licensing arrangements continue.

  • 1990

    EMI begins retiring the HMV record label

    [1]

    EMI starts replacing the HMV label in parts of its catalogue, notably with EMI Classics.

  • 1985

    The Indian business is sold

    [1]

    EMI sells its Gramophone Company branch in India to the RP-Sanjiv Goenka Group, while licensed use of the HMV name continues for a time.

  • 1931

    The Gramophone Company joins EMI

    [1]

    The Gramophone Company becomes part of EMI, integrating the HMV mark into a larger recording and electronics group.

  • 1921

    First HMV retail shop opens in London

    [1]

    The Gramophone Company opens an HMV shop on Oxford Street, beginning the development of a major music-retail chain.

  • 1909

    The mark reaches Gramophone Company record labels

    [1]

    The dog-and-gramophone design replaces the company's Recording Angel symbol on labels.

Products and positioning

A heritage entertainment trademark representing recorded sound, music retail, audio technology, and nostalgia for the phonograph era.

  • Recorded music · 1909

    His Master's Voice record labels

    The mark was used on Gramophone Company and later EMI record labels, with regional variants including French and Italian translations. It became particularly associated with shellac records, gramophone recordings, and later physical and digital sound products. Use declined as EMI phased out the label and as different territorial owners adopted separate strategies.

  • Music retail · 1921

    HMV music stores

    HMV shops began with the Oxford Street store opened in 1921. The chain sold recorded music, gramophones, sheet music, and accessories and later became a major specialist entertainment retailer. The retail business was separated from EMI in 1998 and underwent further ownership changes after HMV Group's 2013 administration.

  • Audio equipment · 1899

    His Master's Voice gramophones and record players

    The dog-and-gramophone image was used from the earliest commercial period on Gramophone Company machines and related catalogues. Across later corporate lineages, the mark appeared on record players, audio equipment, and other products, although ownership and permitted use varied by territory.

  • Consumer electronics and recorded music · 1900

    Victor and RCA Victor products

    In the United States, Victor and later RCA Victor used the trademark on records, radios, televisions, accessories, and other consumer electronics. RCA reduced its use during the mid-twentieth century but periodically revived it for record labels and selected products.

  • Licensed merchandise

    Licensed His Master's Voice merchandise

    The Nipper image remains suitable for apparel, collectibles, home goods, and other nostalgia-oriented merchandise. Such products are controlled by different rights holders and licensees depending on the market.

Brand decisions

  • 2013

    Restructure HMV after administrationM&A

    Background

    HMV Group entered administration amid financial distress.

    Action taken

    Hilco Capital rescued the British stores, while selected Asian stores and intellectual-property rights were sold to AID Partners Capital.

    Aftermath

    Trademark ownership and licensing became divided among several entities and territories.

  • 1998

    Separate HMV retail from EMIM&A

    Background

    EMI separated its retail operations from the record and publishing businesses.

    Action taken

    The HMV retailer became an independent HMV Media Group company, with continued trademark licensing arrangements.

    Aftermath

    The retail brand and the underlying His Master's Voice trademark became more clearly distinct corporate assets.

  • 1990

    Phase out the HMV record labelStrategy

    Background

    EMI reorganized its recorded-music branding and sought to emphasize the EMI Classics identity.

    Action taken

    EMI gradually reduced the HMV label and replaced it in much of its classical catalogue by 1993.

    Aftermath

    HMV continued primarily as a retail and trademark identity rather than as EMI's principal international classical label.

  • 1909

    Replace the Recording Angel label symbolStrategy

    Background

    The Gramophone Company sought a stronger and more distinctive visual identity for its record labels.

    Action taken

    It placed the His Master's Voice dog-and-gramophone design on labels in place of the earlier Recording Angel symbol.

    Aftermath

    The label design helped make the company widely known as HMV.

  • 1899

    Adopt the revised Nipper-and-disc-gramophone imageStrategy

    Background

    Barraud's original painting showed a cylinder phonograph, which did not match the Gramophone Company's disc-based products.

    Action taken

    The company acquired the image on the condition that Barraud replace the cylinder machine with a Gramophone Company disc gramophone.

    Aftermath

    The revised design became the foundation of one of the world's best-known entertainment trademarks.

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