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House of Fabergé

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A historic luxury jewellery house best known for the Imperial Easter Eggs created for the Russian imperial court.

Last updated November 4, 2026

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Overview

House of Fabergé is a historic luxury jewellery and objets d'art brand associated with exceptional craftsmanship, elaborate precious-stone work, and the Imperial Easter Eggs made for the Russian imperial family. The business began in St Petersburg in 1842, when Gustav Fabergé established a jewellery workshop. Its international reputation was developed above all by his son, Peter Carl Fabergé, who joined the family enterprise and expanded it into one of the most celebrated artistic jewellery houses of the late nineteenth and early twentieth centuries. Fabergé's fame rests particularly on the series of jeweled Easter eggs commissioned by members of the Romanov family and other wealthy patrons. These objects combined goldsmithing, enamelling, gem-setting, miniature mechanisms, and surprise interiors. They were luxury gifts rather than conventional jewellery, and their intricate construction helped establish Fabergé as a symbol of imperial Russian opulence and the highest level of decorative craftsmanship. The eggs remain among the best-known works associated with the brand, although only a limited number were produced and many are held by museums or private collections. The original St Petersburg enterprise was disrupted by the Russian Revolution and the nationalization of private businesses. The Fabergé family and the original firm ceased operating in their earlier form, while the name continued to carry substantial cultural and commercial value. During the twentieth century, the Fabergé name passed through different ownership and licensing arrangements and was also used in contexts beyond the original jewellery house. These changes created a distinction between the historical workshop, the Fabergé name as a trademark, and later commercial businesses using the brand. The contemporary House of Fabergé presents itself as a luxury jewellery brand headquartered in London. Its current offering includes fine jewellery, high jewellery, watches, and objets d'art, while maintaining a design relationship with the house's historical language of colour, enamel, precious materials, and surprise. The Imperial Egg remains the principal heritage reference, but the modern business is not limited to reproducing historical objects. It develops wearable jewellery and collectible pieces intended for an international luxury market. Fabergé operates as a private brand rather than a separately listed public company. Publicly available brand material emphasizes craftsmanship, heritage, distinctive design, and the continuing importance of the egg tradition. Ownership and corporate-control details have changed over time and are not stated here where they cannot be confirmed from the supplied sources. The brand's present identity therefore combines a Russian imperial-era origin with a London-based contemporary luxury operation and a global cultural audience.

History

The Fabergé story begins in St Petersburg in 1842, when Gustav Fabergé established a jewellery business. The firm initially operated within the established traditions of European goldsmithing, but its reputation expanded considerably under his son Peter Carl Fabergé. Carl developed the workshop into a sophisticated artistic enterprise serving the Russian imperial court, aristocratic clients, and wealthy international customers. The house became most closely associated with its jeweled Easter Eggs. The first imperial egg was commissioned by Emperor Alexander III in 1885 as an Easter gift for Empress Maria Feodorovna. The commission established a tradition in which successive eggs incorporated precious metals, translucent enamel, miniature portraits, historical references, and concealed surprises. Nicholas II continued the practice, ordering eggs for both his mother and his wife. The objects were highly personal gifts and demonstrated the firm's ability to combine jewellery, engineering, and decorative art. At its height, Fabergé operated as a major luxury workshop with numerous craftspeople and specialist departments. Its work extended beyond eggs to jewellery, small objects, table pieces, and commissions for international clients. The brand's significance came not only from the value of its materials but also from its technical experimentation and its adaptation of historical decorative styles to contemporary court culture. The Russian Revolution brought the original enterprise to an end. The workshop was nationalized, and the Fabergé family left Russia. Carl Fabergé later established activity outside Russia, but the original business no longer functioned as it had in St Petersburg. The dispersal of the workshop, the sale of pieces, and the movement of imperial objects into museums and private collections contributed to the mythology surrounding the name. In the twentieth century, the Fabergé name became the subject of changing commercial ownership, trademark use, and licensing. The name was used in businesses and products that were not necessarily direct continuations of the original St Petersburg workshop. This history makes Fabergé both a historic jewellery house and a modern intellectual-property brand whose meaning has been periodically redefined. The contemporary House of Fabergé is based in London and operates internationally. Its modern collections focus on fine jewellery, high jewellery, watches, enamel work, and artistic objects. Current brand communication uses the historic eggs as a central reference while presenting new pieces for the contemporary luxury market. The modern house therefore connects imperial Russian heritage with a London-based design and commercial platform, retaining the emphasis on colour, craftsmanship, precious materials, and surprise that made the original name distinctive.

  • 2009

    Fabergé brand revival

    [1]

    A modern luxury jewellery business began rebuilding Fabergé as an active jewellery brand after decades in which the name had been used under changing ownership and licensing arrangements.

  • 1917

    Revolution disrupts the original Russian enterprise

    [4]

    The Russian Revolution and nationalization of private businesses ended the original workshop's operation in its established form.

  • 1885

    First Imperial Easter Egg

    [3]

    Emperor Alexander III commissioned the first Imperial Easter Egg as a gift for Empress Maria Feodorovna, beginning Fabergé's best-known imperial egg tradition.

  • 1842

    Gustav Fabergé establishes a jewellery business in St Petersburg

    [1]

    Gustav Fabergé founded the business that became associated with the Fabergé jewellery house in St Petersburg.

Products and positioning

A heritage luxury jewellery house positioned around exceptional craftsmanship, colourful enamel, precious materials, artistic objects, and the legacy of the Imperial Easter Eggs.

  • Jeweled objects · 1885

    Imperial Easter Eggs

    The Imperial Easter Eggs are Fabergé's defining historical objects. Created for the Russian imperial family and other elite patrons, they used gold, enamel, gemstones, miniature paintings, and mechanical or concealed surprises. They were conceived as highly personal works of art and ceremonial gifts rather than ordinary decorative eggs. The surviving examples are dispersed among museums, foundations, and private collections, and they continue to anchor the brand's heritage and public recognition.

  • Jewellery

    High Jewellery

    Fabergé's high-jewellery work represents the contemporary expression of the house's emphasis on rare materials, detailed craftsmanship, colour, and distinctive forms. Pieces draw on the brand's historic use of enamel and jewel-rich decorative effects while functioning as wearable luxury. The category is positioned at the top end of the jewellery market and extends the house's identity beyond its museum-associated eggs.

  • Jewellery

    Fine Jewellery

    The fine-jewellery range translates Fabergé's heritage codes into pieces intended for regular luxury consumption. Designs may incorporate precious metals, coloured gemstones, enamel, and motifs associated with the egg tradition. It gives the modern brand a broader commercial assortment than one-off objets d'art while preserving a focus on craftsmanship and a recognizably Fabergé aesthetic.

  • Timepieces

    Watches

    Fabergé's watch offering extends the brand into luxury timepieces and combines horological function with decorative jewellery design. The category provides another setting for enamel, gemstones, precious metals, and the house's preference for concealed or surprising visual details. Watches sit alongside jewellery and objets d'art within the contemporary international brand portfolio.

Recent events

  • Reported

    Fabergé partners with Gemfields Foundation for watch launch[5]

    Fabergé partnered with the Gemfields Foundation for the launch of its limited-edition watch collection.

  • Reported

    Fabergé launches Altruist Wilderness limited-edition watches[5]

    Fabergé launched a limited-edition watch series featuring five African wild animals, with five numbered pieces per design. The article says the watches were launched the previous week on World Animal Day and that all Number 1 pieces were available.

  • Reported

    Fabergé partners with Game of Thrones collaborators on dragon egg[6]

    Fabergé partnered with series costume designer Michele Clapton and Warner Bros. Consumer Products to produce a jewel-encrusted dragon egg inspired by Game of Thrones.

  • Unconfirmed

    Reported

    The Craft Irish Whiskey Co. and Fabergé partner on Emerald Isle Collection[7]

    The Craft Irish Whiskey Co. debuted the Emerald Isle Collection in partnership with Fabergé. The collection consists of seven custom-made whiskey sets.

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