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Hulen is a volunteer-run student and alternative-music venue located in a former air-raid shelter in Bergen, Norway.

Last updated August 26, 2026

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Overview

Hulen, meaning “The Cave,” is a student-driven music and cultural venue in Bergen, Norway. It operates in an old bomb shelter beneath the Nygårdshøyden area in the city centre. The premises were originally constructed as an air-raid shelter and were converted into a club for local students in 1968. Hulen opened to the public on 17 May 1969, partly in response to the demolition of Parkveien 1, a former student residence and social space. Rather than functioning as a conventional commercial entertainment company, Hulen has historically been sustained by student participation, volunteer labour, and support from the surrounding music and cultural community. Around 80 volunteers have been described as contributing to the operation at a given period, handling the practical work required to keep the venue open. This volunteer model has been central to Hulen’s identity and resilience, allowing it to continue despite periods in which its finances and continued operation were under pressure, including threats of bankruptcy. Hulen’s programme has principally focused on alternative rock and pop, while also accommodating jazz, blues, metal, electronica, and other forms of live music. Its underground setting and student orientation have given it a distinctive position in Bergen’s cultural landscape: it is both a performance venue and an enduring social institution for students, local musicians, and audiences interested in music outside the mainstream. The venue’s activities are therefore better understood as cultural programming and community infrastructure than as a conventional branded product line. The club has operated for decades in rented premises associated with the Norwegian Civil Defence. Its continued existence has depended on the combination of volunteer commitment, audience support, and the venue’s established place in Bergen’s music ecosystem. Hulen was recognised as Bergen’s best concert venue in 2001 and again in 2011. The available reference material presents it as an active institution with a long-running commitment to live music and alternative student culture.

History

Hulen’s origins are connected to the changing conditions of student life in Bergen during the late 1960s. The city’s students had previously used Parkveien 1 as a residence and social environment, but that property was demolished. In response, an existing air-raid shelter beneath Nygårdshøyden was converted into a club space in 1968. The venue opened on 17 May 1969 and took the name Hulen, a reference to its cave-like underground location. From its beginning, Hulen developed as a student-led and idealistic organisation rather than as a standard profit-oriented club. Its operations have relied heavily on volunteers who contribute time to concert production, venue management, hospitality, and other practical functions. This organisational model made the club closely connected to successive generations of Bergen students and helped preserve its cultural role over a long period. The venue’s musical identity has centred on alternative rock and pop, but its programme has not been restricted to those styles. Jazz, blues, metal, electronica, and other genres have also been presented, enabling Hulen to serve as a platform for both local and visiting performers. Its subterranean premises, compact club atmosphere, and student orientation have made it a recognisable part of Bergen’s live-music environment. Hulen rents its premises from the Norwegian Civil Defence. Maintaining a club in an adapted shelter has presented practical and financial challenges, and the organisation has at times faced threats to its survival, including bankruptcy concerns. According to the available account, volunteers and supporters repeatedly helped it remain in operation. This continuity is a defining part of Hulen’s history: its endurance has depended less on corporate backing than on community participation and the willingness of students and music supporters to sustain the venue. Over more than four decades, Hulen continued to function as a cultural alternative for students and music audiences in Bergen. Its reputation was recognised when it was named the city’s best concert venue in 2001 and again in 2011. The available sources do not provide a complete account of later programming, management, finances, or ownership arrangements, but they describe Hulen as an ongoing Norwegian rock and cultural club with a long-standing volunteer foundation.

  • 2011

    Second best-concert-venue recognition

    [1]

    Hulen was again recognised as Bergen’s best concert venue.

  • 2001

    Named Bergen’s best concert venue

    [1]

    Hulen received recognition as Bergen’s best concert venue.

  • 1969

    Hulen opens

    [1]

    Hulen opened on 17 May 1969 as a student-driven music and cultural venue in Bergen.

  • 1968

    Conversion of the shelter into a student club

    [1]

    An old air-raid shelter beneath Nygårdshøyden was converted for use as a club for Bergen students, following the loss of the former student setting at Parkveien 1.

Products and positioning

A volunteer-run, student-oriented cultural venue and alternative-music club in Bergen, distinguished by its underground former air-raid-shelter setting and broad live-music programme.

  • Music venue programming · 1969

    Live concerts

    Hulen’s principal offering is a programme of live performances in its underground club space. The venue is especially associated with alternative rock and pop, while its stated programme has also included jazz, blues, metal, electronica, and other genres. Concert activity is supported by the venue’s student and volunteer operating model.

  • Cultural and social events · 1969

    Student cultural events

    Beyond individual concerts, Hulen functions as a cultural and social meeting place for students and music audiences in Bergen. Its role encompasses alternative cultural activity and community participation in an informal club environment rather than a packaged consumer product.

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