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J. C. Backings

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American scenic-backdrop rental company serving film, television, and related production markets.

Last updated August 31, 2026

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Overview

J. C. Backings is an American scenic-backdrop company headquartered in Culver City, California. The business supplies painted scenery, photographic backings known as translites, and digitally printed vinyl backings for film, television, photography, and other production uses. Its work belongs to the behind-the-scenes infrastructure of visual production: rather than creating finished entertainment for audiences, the company provides the large-scale scenic surfaces that help establish locations, landscapes, interiors, city views, and other environments on a set. The company was established in 1962 by John Harold Coakley and his son, John Gary Coakley. The founders identified a practical need among American film and television companies for custom-painted scenery and for a rental inventory that could be reused across productions. This rental-oriented model gave productions access to large scenic images without requiring every project to commission entirely new artwork. The company subsequently became associated with the preservation and circulation of historically significant studio-era backings. A major turning point came in 1970, when J. C. Backings purchased more than 2,000 backdrops from a storage facility belonging to Metro-Goldwyn-Mayer. The acquisition greatly expanded the company's inventory and connected its commercial rental operation with an important body of Hollywood production design history. Some of the backings later associated with the company's collection were used on films including Ben-Hur, The Sound of Music, North by Northwest, and Meet Me in Las Vegas. A Mount Rushmore backdrop used in North by Northwest is among the examples identified in accounts of the collection. The business later broadened its technical offering beyond hand-painted scenery. Photographic backings, commonly called translites, and digital-print vinyl backings provided alternatives that could reproduce imagery with different levels of detail, consistency, and production flexibility. By 2020, painted backdrops still represented approximately one-third of the company's rental activity, indicating that traditional scenic painting remained an important part of the business even as photographic and digital methods expanded. J. C. Backings is a family-run business spanning multiple generations. The third generation has been represented by siblings Lynne Coakley and Tod Coakley. Tod Coakley died in 2006 at the age of 44, after which Pierre Steele, Lynne Coakley's husband, joined the company. Lynne Coakley serves as president. The company's continuing operation reflects the specialized and archival nature of scenic-backdrop rental, where inventory stewardship, restoration, custom painting, and knowledge of production requirements are central capabilities. For many years, the company operated its facilities at Sony Pictures Studios. In 2017, after 46 years at the studio, it moved its digital-print and photographic-backing facility to another location in Culver City. Custom painting and touch-up work for painted backings takes place in Gardena, California. The relocation also prompted a substantial preservation and educational donation effort: more than 250 backings were given to the Academy of Motion Picture Arts and Sciences, schools and colleges, and the Art Directors Guild Backdrop Recovery Project. These transfers helped preserve materials that might otherwise have been lost while reducing the inventory that needed to be moved and maintained commercially. J. C. Backings' positioning rests on the combination of a long-lived rental archive, custom scenic craftsmanship, photographic and digital production methods, and historical links to Hollywood studio production. Publicly available reference material does not establish a broader international network, public listing, parent corporation, or detailed current financial profile.

History

J. C. Backings was founded in 1962 by John Harold Coakley and his son, John Gary Coakley. The founders recognized that American film and television productions needed access to custom-painted scenic backings as well as reusable backdrop rentals. The company's early business therefore combined scenic craft with an inventory model: large painted environments could be commissioned, stored, and rented to subsequent productions. The company's collection grew substantially in 1970, when it purchased more than 2,000 backdrops from a Metro-Goldwyn-Mayer storage facility. This transaction brought a large body of studio-era scenic material into J. C. Backings' rental holdings. The collection included backings connected with major Hollywood productions, including Ben-Hur, The Sound of Music, North by Northwest, and Meet Me in Las Vegas. One identified example is the Mount Rushmore backdrop associated with North by Northwest. The MGM acquisition helped establish the company's dual identity as both a working production supplier and a custodian of historical scenic resources. Over time, J. C. Backings expanded beyond traditionally painted scenery. Photographic alternatives known as translites enabled productions to use photographic imagery as a large-format background, while digital-print vinyl backings introduced another method for producing and reproducing scenic images. These formats complemented rather than entirely displaced hand-painted work. Reference material states that painted backdrops made up roughly one-third of the company's rentals in 2020, showing that the older craft remained commercially relevant alongside photographic and digital options. The business passed into a third generation associated with Lynne Coakley and her brother Tod Coakley. Tod died in 2006 at age 44. Following his death, Pierre Steele, Lynne Coakley's husband, joined the company. Lynne Coakley is identified as the company's president. The family continuity is significant because the company's operation depends on specialized knowledge of scenic inventory, production use, maintenance, restoration, and custom work. For 46 years, J. C. Backings operated at Sony Pictures Studios. In 2017, it moved its digital-print and photographic-backing facility to another part of Culver City. Custom painting and touch-up work for painted backings was conducted in Gardena. The move also created an opportunity to place a substantial number of older scenic pieces with cultural and educational organizations. More than 250 backings were donated to the Academy of Motion Picture Arts and Sciences, schools and colleges, and the Art Directors Guild Backdrop Recovery Project. The donations included materials associated with historically notable productions and supported the preservation of backdrop art outside the company's active rental inventory. The available public material describes J. C. Backings as an active California scenic-backdrop rental company. It does not provide a verified public listing, ticker, parent company, revenue history, or detailed account of current ownership beyond the family and executive information noted above. Its documented business scope centers on backdrop rental, custom scenic painting, photographic translites, digital-print vinyl backings, and related maintenance or touch-up services.

  • 2020

    Painted backdrops remained a major rental category

    [1]

    Painted backdrops were reported to account for approximately one-third of the company's rentals, alongside photographic translites and digital-print vinyl backings.

  • 2017

    Culver City facility relocation

    [1]

    After 46 years at Sony Pictures Studios, the digital-print and photographic-backing facility moved to another part of Culver City; painted-backdrop custom work and touch-ups were conducted in Gardena.

  • 2017

    Historic backdrops donated to cultural and educational organizations

    [1]

    More than 250 backings were donated to the Academy of Motion Picture Arts and Sciences, schools and colleges, and the Art Directors Guild Backdrop Recovery Project.

  • 2006

    Tod Coakley died and Pierre Steele joined the company

    [1]

    Tod Coakley, a member of the third generation of the family business, died at age 44. Pierre Steele subsequently joined J. C. Backings.

  • 1970

    MGM backdrop collection acquired

    [1]

    The company purchased more than 2,000 backdrops from a Metro-Goldwyn-Mayer storage facility, expanding its rental inventory and preserving studio-era scenic materials.

  • 1962

    Company founded

    [1]

    John Harold Coakley and John Gary Coakley established J. C. Backings to provide custom-painted backings and backdrop rentals for film and television productions.

Products and positioning

A specialized scenic-production supplier combining a historically significant Hollywood backdrop archive with custom painting, photographic translites, digital printing, restoration, and rental services.

  • Scenic production equipment and services · 1962

    Painted scenic backdrops

    Large hand-painted scenic surfaces used to represent locations, landscapes, interiors, and other environments in film, television, photography, and related production settings. J. C. Backings rents historical and production-ready painted pieces and also performs custom painting and touch-up work. Painted backdrops remained a substantial part of the rental business, representing approximately one-third of rentals in 2020 according to the cited reference.

  • Photographic scenic backings

    Photographic translites

    Photographic backings, commonly called translites, provide large-format photographic imagery as an alternative to painted scenery. They can be used to create realistic environmental or location effects for staged production. J. C. Backings expanded into this format as production methods evolved and maintained a dedicated photographic-backing facility in Culver City.

  • Digitally printed scenic backings

    Digital-print vinyl backings

    Vinyl scenic backings produced through digital printing, offering a modern alternative to hand-painted and photographic formats. The company operates a digital-print backing business for productions that require reproducible, large-format scenic imagery. This capability formed part of the facility relocated within Culver City in 2017.

  • Scenic art services · 1962

    Custom painting and touch-up services

    Custom scenic painting and maintenance work for painted backdrops. The documented operation includes touch-ups and custom paint work in Gardena, California, supporting the continued use and restoration of painted scenic inventory.

Brand decisions

  • 2017

    Relocation of digital and photographic backing operationsStrategy

    Background

    After 46 years at Sony Pictures Studios, the company reorganized the location of its digital-print and photographic-backing facility.

    Action taken

    J. C. Backings moved the digital-print and photographic-backing facility to another section of Culver City while carrying out custom painting and painted-backing touch-ups in Gardena.

    Aftermath

    The move separated the company's modern print and photographic operations from its custom paint and touch-up work and led to the donation of more than 250 backdrops to cultural and educational organizations.

  • 2017

    Donation of surplus and historic backdropsOther

    Background

    The facility move required the company to address a substantial body of scenic inventory, including materials with historical value.

    Action taken

    More than 250 backings were donated to the Academy of Motion Picture Arts and Sciences, schools and colleges, and the Art Directors Guild Backdrop Recovery Project.

    Aftermath

    The donations supported preservation, education, and recovery efforts involving scenic backdrops outside the company's commercial rental operation.

  • 1970

    Acquisition of the MGM backdrop inventoryM&A

    Background

    J. C. Backings sought to expand its reusable scenic rental inventory and acquired more than 2,000 backdrops held at a Metro-Goldwyn-Mayer storage facility.

    Action taken

    The company purchased the stored backdrops and incorporated them into its collection.

    Aftermath

    The acquisition expanded the company's rental holdings and preserved scenic materials associated with classic Hollywood productions.

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