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Microphone Records

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A Latvian record label, music distributor, and publishing business founded in the early 1990s.

Last updated August 25, 2026

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Overview

Microphone Records, also known as Mikrofona ieraksti or MicRec, is a Latvian record label and music distribution company. It emerged during the formative years of Latvia’s post-Soviet recorded-music industry. The company was formally founded in 1993 by radio journalist Elita Mīlgrāve and record producer and musician Guntars Račs, although its history reaches back to 1992, when the first release appeared under the MicRec name. The company’s original role was centered on releasing and promoting Latvian music. Its catalog and artist activity have covered pop, rock, dance, alternative, and other popular-music styles. Over time, Microphone Records developed beyond a single-label operation. It owns or operates the MicRec, Aktiv, and Raibā Taureņa Ieraksti labels and has also worked as a distributor for international and independent labels, including Sony BMG, Universal Music, Playground, Elap, and Going for a Song. This combination of local repertoire development and international distribution made the company an important intermediary between Latvian artists and the wider Baltic music market. A major expansion in the company’s business scope came in 1996, when Microphone Records entered into a licensing arrangement with the EMI Group to promote and market EMI and Virgin artists in the Baltic states. The company also established MicRec Publishing, a publishing division that served as a sub-publisher for EMI Music Publishing and Sony/ATV. These activities gave Microphone Records exposure to recorded music, artist marketing, licensing, distribution, and music publishing rather than limiting it to physical album releases. The label’s Latvian and Baltic repertoire has included established performers and groups such as Raimonds Pauls, Prāta Vētra (Brainstorm), Lauris Reiniks, Līvi, Credo, Pērkons, Laima Vaikule, Olga Rajecka, Turaidas Roze, Zodiaks, Remix, Igo, Eolika, Menuets, Tumsa, Aisha, Andris Ērglis, bet bet, Jauns Mēness, Marija Naumova, and others. The company has also been associated with Eurovision-related artists, with seven distributed artists reaching Eurovision grand finals according to the referenced encyclopedia material. Microphone Records has achieved some recognition outside Latvia. Releases and artists represented by the company have appeared in charts in markets including the United Kingdom, France, Belgium, Germany, Poland, and Sweden. Brainstorm became the company’s most visible internationally successful act, while BTH and DJ Ella are cited in connection with UK and French chart activity respectively. In 2011, the company released Lauris Reiniks’s album Es skrienu. The album was subsequently issued in localized versions for Estonia, Lithuania, and Germany, illustrating the label’s effort to adapt Latvian repertoire for neighboring and broader European audiences. Microphone Records is therefore best understood as a Latvian music-industry platform: a domestic label group, distributor, publisher, and promoter with a Baltic operating orientation. Publicly available reference material documents its origins, licensing relationships, labels, catalog, and international activity, but does not provide sufficient information here to establish current ownership, headquarters beyond Latvia, financial performance, or a complete current roster.

History

Microphone Records is a Latvian music company whose origins date to the early 1990s, when the country’s cultural and commercial institutions were being reorganized after the restoration of independence. The company’s first release appeared under the MicRec brand in 1992. In 1993, radio journalist Elita Mīlgrāve and record producer and musician Guntars Račs formally founded Microphone Records. The business initially concentrated on recording, releasing, and promoting Latvian artists. Its catalog developed across pop, rock, dance, and related popular genres, and it became associated with a broad selection of important Latvian performers. The company’s activities included both new releases and the distribution of music by established artists, allowing it to function as a significant domestic music-industry channel. Microphone Records broadened its role during the 1990s. In 1996 it secured a licensing agreement with the EMI Group covering the promotion and marketing of EMI and Virgin artists in the Baltic states. This relationship connected the Latvian company to a major international repertoire and strengthened its position as a regional marketing and distribution partner. Microphone Records also developed a multi-label structure, including the MicRec, Aktiv, and Raibā Taureņa Ieraksti labels. Distribution became another central part of the company’s operations. Reference material identifies Microphone Records as an official distributor for labels including Sony BMG, Universal Music, Playground, Elap, and Going for a Song, among others. The company also created MicRec Publishing, a publishing division that acted as a sub-publisher for EMI Music Publishing and Sony/ATV. Through these activities, the business extended from label work into licensing, publishing administration, and regional circulation of recorded music. Its artist and repertoire history includes Brainstorm, Lauris Reiniks, Raimonds Pauls, Līvi, Credo, Pērkons, Laima Vaikule, Olga Rajecka, Turaidas Roze, Zodiaks, Remix, Igo, Eolika, Menuets, Zigmars Liepiņš, Jānis Lūsēns, Tumsa, DJ Ella, BTH, Aisha, Andris Ērglis, bet bet, Marija Naumova, and many other Latvian or Baltic performers. The company’s Eurovision-related reach is notable: seven artists distributed by Microphone Records are stated to have competed in Eurovision grand finals. The company also achieved limited but meaningful international chart visibility. BTH is associated with a UK Top 40 entry, DJ Ella with activity in the French Club Chart, and Brainstorm with chart appearances in Belgium, Germany, Poland, Sweden, and other European markets. These results reflected both the export potential of Latvian artists and the company’s role in adapting local repertoire for international audiences. A clear example of this cross-border strategy came in 2011, when Microphone Records released Lauris Reiniks’s album Es skrienu. The album was subsequently re-released in Estonia as Ma jooksen, in Lithuania as Aš bėgu, and in Germany as Ich renne. The multilingual editions demonstrated an approach based on regional localization rather than treating Latvia as the only market. The available reference material portrays Microphone Records as a long-running Latvian label and distribution company with a Baltic footprint and international partnerships. It does not establish detailed information about the company’s current corporate ownership, financial position, present management structure, or the continued status of every artist associated with its catalog.

  • 2011

    Es skrienu released and localized

    [1]

    Lauris Reiniks’s album was released by Microphone Records and later adapted for Estonian, Lithuanian, and German markets.

  • 1996

    EMI Group and Virgin licensing agreement

    [1]

    Microphone Records began promoting and marketing EMI and Virgin artists in the Baltic states under a licensing arrangement.

  • 1993

    Microphone Records formally founded

    [1]

    Elita Mīlgrāve and Guntars Račs established the Latvian record company.

  • 1992

    First MicRec-branded release

    [1]

    The company’s history can be traced to the release of its first record under the MicRec brand.

Products and positioning

A Latvian and Baltic music company combining local artist development with record distribution, international label representation, licensing, and music publishing.

  • Record label · 1992

    MicRec

    MicRec is the principal label identity associated with Microphone Records. It originated with the company’s first branded release in 1992 and has been used for Latvian and Baltic popular-music releases across genres including pop, rock, and dance.

  • Record label

    Aktiv

    Aktiv is one of the labels owned or operated within the Microphone Records label portfolio. The supplied reference material identifies the imprint but does not provide a separate catalog history or detailed genre profile.

  • Record label

    Raibā Taureņa Ieraksti

    Raibā Taureņa Ieraksti is another label within the Microphone Records group of imprints. Public information supplied for this dossier does not specify its launch date, distinctive repertoire, or current operating status.

  • Music publishing

    MicRec Publishing

    MicRec Publishing is the company’s music-publishing division. It has been described as a sub-publisher for EMI Music Publishing and Sony/ATV, extending the business into publishing representation and rights administration.

  • Album · 2011

    Es skrienu

    Es skrienu is a Lauris Reiniks album released by Microphone Records in 2011. It was subsequently reissued in localized forms for Estonia, Lithuania, and Germany, under the titles Ma jooksen, Aš bėgu, and Ich renne.

Marketing campaigns

  • 2011Es skrienu multilingual expansion

    Latvia · Estonia · Lithuania · Germany

    Microphone Records supported the release of Lauris Reiniks’s Es skrienu and subsequent localized editions for neighboring Baltic markets and Germany.

    Outcome. The album received versions in Estonian, Lithuanian, and German, providing a documented example of cross-border repertoire localization.

  • 1996EMI and Virgin Baltic promotion

    Latvia · Estonia · Lithuania

    Under a licensing agreement with EMI Group, Microphone Records promoted and marketed EMI and Virgin artists across the Baltic states.

    Outcome. The arrangement expanded the company’s role from Latvian repertoire into international-label promotion and regional marketing.

Brand decisions

  • 2011

    Release and regional localization of Es skrienuProduct launch

    Background

    Lauris Reiniks’s Latvian album offered an opportunity to extend a domestic release into nearby language markets.

    Action taken

    Microphone Records released Es skrienu and supported later editions titled Ma jooksen, Aš bėgu, and Ich renne.

    Aftermath

    The project created localized editions for Estonia, Lithuania, and Germany; detailed sales results are not provided.

  • 1996

    Enter a Baltic licensing partnership with EMI GroupStrategy

    Background

    Microphone Records operated in a relatively small national market and sought access to internationally established repertoire and artists.

    Action taken

    The company entered a licensing agreement to promote and market EMI and Virgin artists in the Baltic states.

    Aftermath

    The agreement positioned Microphone Records as a regional representative for major international music catalogs.

Sources1 sources

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