Robert Erickson
American studio furniture designer and woodworker known for custom chairs, handmade furniture, and a contoured floating-back design.
Last updated August 31, 2026
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Overview
Robert Erickson is an American furniture designer and woodworker born in 1947 in Lincoln, Nebraska. He is associated with studio furniture making: a practice centered on individually designed and handmade objects rather than mass-produced domestic furnishings. His work is particularly identified with custom chairs, including rocking and other seating forms, and with a contoured floating-back construction that he began developing in the mid-1970s. After completing an English degree at the University of Nebraska in 1969, Erickson moved into the American craft and woodworking community. He traveled to Druid Heights in Marin County, California, where he studied with furniture makers Ed Stiles and Roger Somers. This period introduced him to a hands-on, craft-oriented approach to furniture design and production. In the summer of 1970, he worked for poet Gary Snyder, helping to construct a house influenced by Japanese and Native American building traditions in Nevada County, California. Erickson established Erickson Woodworking beside Snyder’s property in 1970 after acquiring land for a workshop. The business sold its first chair during that same year and continued operating from the location for decades. The workshop has remained closely connected to Erickson’s personal practice, with later additions including solar power and telephone service. Rather than developing a broad consumer brand or a standardized product catalog, the studio has focused on custom-designed furniture and the refinement of individual forms. The contoured floating back, incorporated into Erickson’s chairs beginning in 1974, is the defining technical and visual feature associated with his work. The design is intended to provide a supportive, shaped back while preserving an open, visually light relationship between the back and the chair frame. His chairs have been discussed in craft and woodworking publications, including coverage of his ability to make rockers and other seating suited to larger users. Erickson’s reputation extends beyond private commissions and craft markets. Furniture attributed to him is held in the permanent collections of the Smithsonian American Art Museum, the Yale University Art Gallery, the Los Angeles County Museum of Art, and the Racine Museum of Art. These institutional holdings place his work within the history of American studio furniture and demonstrate recognition by major U.S. art and design collections. The studio has also been a family-managed enterprise. Erickson’s wife, Liese Greensfelder, a science writer, has helped manage the business, and their son Tor Erickson has become a full partner in Erickson Woodworking. The available reference material does not identify a separate corporate parent, public listing, large-scale manufacturing operation, or international retail network. The practice is best understood as an active, small-scale American furniture studio whose identity rests on craftsmanship, custom work, and the continuity of a workshop tradition.
History
Robert Erickson was born in 1947 in Lincoln, Nebraska. He studied at the University of Nebraska and completed an English degree in 1969. Instead of pursuing a conventional literary or academic career, he entered the craft and woodworking world, traveling to Druid Heights in Marin County, California. There he studied furniture making with Ed Stiles and Roger Somers, an experience that helped establish the practical and artistic foundation of his later work. In the summer of 1970, Erickson worked with poet Gary Snyder on the construction of a house in Nevada County, California. The project drew on Japanese and Native American-inspired ideas and connected Erickson with the landscape and countercultural craft communities of the region. That year he purchased land near Snyder’s property, built a workshop, and established Erickson Woodworking. The studio sold its first chair in 1970 and has continued operating from the same general location in Nevada City, California. The business developed as a studio practice rather than as a factory or mass-market furniture company. Erickson designed and built individual pieces, with chairs becoming the central form of his practice. From 1974 onward, many of his chairs incorporated a contoured floating back, a distinctive construction that became closely associated with his name. The feature combines shaped support with an open structure and reflects his interest in the relationship between body, material, and frame. His work attracted attention from woodworking and design publications. A 1985 newspaper profile discussed his production of rockers designed to accommodate larger users, while later woodworking coverage and a short film examined his floating-back approach. These accounts contributed to a national reputation within American craft and furniture circles while the workshop remained small and directly connected to the maker. Institutional recognition followed through acquisitions by several U.S. museums. Erickson’s furniture is represented in the permanent collections of the Smithsonian American Art Museum, the Yale University Art Gallery, the Los Angeles County Museum of Art, and the Racine Museum of Art. The Yale collection provides an institutional record of his work and supports his position within the history of American studio furniture. The enterprise has also developed as a family operation. Liese Greensfelder, Erickson’s wife and a science writer, has helped manage the business. Their son Tor Erickson later became a full partner in Erickson Woodworking. The available sources do not document a transition away from the Nevada City workshop, a corporate acquisition, or a large-scale commercial expansion. Erickson’s historical importance therefore rests primarily on his sustained handmade practice, his specialized chair designs, and the placement of his work in major American collections.
- 1974
Contoured floating back introduced
[1]Erickson began incorporating the contoured floating-back design into his chairs.
- 1970
Erickson Woodworking established
[1]After working on Gary Snyder’s Nevada County home, Erickson acquired workshop land, established Erickson Woodworking, and sold his first chair.
- 1969
Completes university degree
[1]Erickson left the University of Nebraska after completing an English degree.
- 1947
Birth in Lincoln, Nebraska
[1]Robert Erickson was born in Lincoln, Nebraska.
Museum collection recognition
[1]His furniture entered permanent collections including those of the Smithsonian American Art Museum, Yale University Art Gallery, Los Angeles County Museum of Art, and Racine Museum of Art.
Products and positioning
Handmade American studio furniture emphasizing custom design, woodworking craftsmanship, ergonomic seating, and continuity of workshop practice.
Seating · 1974
Contoured floating-back chairs
Erickson’s best-known furniture consists of custom chairs using a contoured floating-back construction developed from 1974. The shaped back is visually separated from, or appears to float within, the supporting structure, creating a distinctive combination of ergonomic support and formal lightness. The design is associated with his studio practice and appears across different chair forms.
Seating
Custom rocking chairs
Rocking chairs are among the custom seating forms associated with Erickson’s workshop. Published coverage described his ability to produce rockers suited to larger users, illustrating the studio’s willingness to adapt furniture to individual bodies and requirements rather than relying solely on standardized dimensions.
Studio furniture · 1970
Custom handmade furniture
Erickson Woodworking produces individually designed and handmade furniture through a small studio model. The available sources emphasize chairs and other furniture rather than a fixed catalog, so the broader offering is best characterized as commissioned or custom wood furniture made under Erickson’s direction.
Sources3 sources
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