
Studio Deen
Japanese animation studio known for television anime, films, OVAs, and subcontracted digital and 3DCG production.
Last updated August 21, 2026
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Overview
Studio Deen is a Japanese animation studio established in 1975 by Hiroshi Hasegawa, a former producer at Sunrise, together with other animators who had worked at that company. The business developed during the expansion of Japanese television animation and became involved in a broad range of commissioned and original productions, including television series, theatrical films, original video animations, and later web-based animation projects. The studio’s early work included assignments connected with established manga and anime properties. Its credits from the 1980s and 1990s include substantial participation in Urusei Yatsura, Maison Ikkoku, Ranma ½, Patlabor, Rurouni Kenshin, and You're Under Arrest. These projects helped establish Studio Deen as a flexible production house able to work across comedy, romance, action, science fiction, fantasy, and family-oriented programming. Rather than being identified with one single in-house franchise, the studio has generally operated through a portfolio of commissions and production partnerships. During the 2000s, Studio Deen expanded its television output and became associated with a wide variety of adaptations and genre series. Its credits include Fruits Basket, Gravitation, GetBackers, Full Moon o Sagashite, Hell Girl, Higurashi When They Cry, Fate/stay night, Maria-sama ga Miteru, Kyo Kara Maoh!, Junjo Romantica, Vampire Knight, and 07-Ghost. The company also continued producing OVAs and films, including installments and spin-offs connected with Hakuoki, Hetalia, Higurashi, Rurouni Kenshin, and The World's Greatest First Love. The studio’s production scope includes more than conventional television animation. It has produced theatrical features, direct-to-video works, online projects, and animation for internationally distributed properties. Examples include collaboration on Neo Yokio and the Samurai & Shogun specials for Rick and Morty, as well as participation in later Pretty Cure, Sailor Moon, and Seven Deadly Sins projects. It has also worked with other Japanese studios on selected productions, reflecting the collaborative structure common to large anime projects. Since April 2011, Studio Deen has operated as a subsidiary of IMA Group. The company also owns or operates specialist subsidiaries and affiliated production units: Danny Donghua, a Chinese subcontracting studio; Megumi, which handles digital work subcontracting; and Umidori, a 3DCG subcontracting studio. These units broaden the group’s capacity beyond traditional 2D animation and support the distributed workflow used in contemporary anime production. Studio Deen remains an active Japanese animation producer. Its recent and announced credits span adaptations, sequels, genre works, and collaborations with larger rights holders and production committees. The company’s continuing role is best understood as that of an established production studio and contractor whose value lies in long-term production experience, adaptation work, and access to specialized animation and digital-production resources.
History
Studio Deen was founded in 1975 by Hiroshi Hasegawa, formerly a producer at Sunrise, together with a group of animators who had also worked there. Its formation placed the company within the growing network of independent Japanese animation studios that supplied television broadcasters, publishers, toy companies, and production committees. In its first decades, Studio Deen built its reputation through participation in well-known television franchises and through commissioned production work. During the 1980s it contributed to Urusei Yatsura and worked on projects including Maison Ikkoku, F, and Ranma ½. The studio also participated in theatrical and OVA production, including Angel's Egg, Patlabor-related works, and later Ranma ½ projects. These credits showed a capacity to move between serialized television animation, feature production, and shorter-form home-video releases. The 1990s brought continued work on popular adaptations and a larger range of genres. Studio Deen produced or participated in titles such as You're Under Arrest, Rurouni Kenshin, Eat-Man, Zenki, Violinist of Hameln, and Houshin Engi. It also worked with other studios on selected projects, a practice that remained characteristic of its production model. Its OVA portfolio included works associated with Ranma ½, Rurouni Kenshin, DNA², and The Irresponsible Captain Tylor. From 2000 onward, the studio became particularly visible in television adaptations aimed at different audience segments. Its credits included Fruits Basket, Gravitation, GetBackers, Full Moon o Sagashite, Maria-sama ga Miteru, Kyo Kara Maoh!, Hell Girl, Fate/stay night, Higurashi When They Cry, Junjo Romantica, Vampire Knight, and 07-Ghost. The company continued to produce films and OVAs alongside television work, including Hakuoki, Hetalia, Sekai-ichi Hatsukoi, and later Higurashi releases. Studio Deen’s output in the 2010s covered both continuing properties and new adaptations. Important credits included KonoSuba, Nura: Rise of the Yokai Clan, Log Horizon 2, Descending Stories: Showa Genroku Rakugo Shinju, Hozuki's Coolheadedness, Junji Ito Collection, and The Reflection. The studio also contributed to projects involving international partners and established intellectual properties, including Neo Yokio and later Rick and Morty Samurai & Shogun specials. In April 2011, Studio Deen became a subsidiary of IMA Group. The broader group structure includes Danny Donghua in China, Megumi for digital subcontracting, and Umidori for 3DCG subcontracting. These businesses reflect the increasingly distributed nature of anime production, in which key animation, digital compositing, background work, and computer-generated imagery may be assigned across multiple specialist units. During the 2020s, Studio Deen continued working on television series, films, OVAs, and streaming-oriented projects. Recent credits include Sorcerous Stabber Orphen, Sasaki and Miyano, The Seven Deadly Sins, Pretty Guardian Sailor Moon Eternal The Movie, Pretty Guardian Sailor Moon Cosmos The Movie, Junji Ito Maniac: Japanese Tales of the Macabre, Ōoku: The Inner Chambers, Re:Monster, Welcome Home, Days with My Stepsister, Twilight Out of Focus, and Yakuza Fiancé: Raise wa Tanin ga Ii. Its later announced slate includes additional adaptations and collaborations, indicating that the company remains active as a production and subcontracting studio.
- 2023
Ōoku: The Inner Chambers
[1]The studio produced the animated adaptation for streaming release.
- 2016
KonoSuba television production
[1]Studio Deen produced the first two television seasons of KonoSuba.
- 2011
Becomes an IMA Group subsidiary
[1]Studio Deen began operating as a subsidiary of IMA Group in April 2011.
- 2006
Higurashi and Fate/stay night productions
[1]The studio released television adaptations of Higurashi When They Cry and Fate/stay night.
- 2005
Hell Girl launches
[1]Studio Deen produced the first Hell Girl television series and later installments.
- 2001
Fruits Basket television adaptation
[1]Studio Deen produced the first television anime adaptation of Fruits Basket.
- 1989
Ranma ½ production begins
[1]The studio worked on the Ranma ½ television franchise and subsequent films and OVAs.
- 1984
Participation in Urusei Yatsura
[1]Studio Deen produced a substantial later segment of the television series, marking an early association with a major manga adaptation.
- 1975
Studio Deen is founded
[1]Hiroshi Hasegawa founded the studio with former Sunrise animators.
Products and positioning
An established Japanese animation production house with a broad adaptation portfolio, long-running experience in television and direct-to-video animation, and additional capabilities in digital, Chinese subcontracting, and 3DCG production.
Television animation · 1975
Television anime series
Studio Deen’s principal activity is the production of serialized television anime, usually as part of a production committee or in cooperation with other studios. Its television credits range from long-running adaptations such as Ranma ½ and You're Under Arrest to genre titles including Hell Girl, Higurashi When They Cry, KonoSuba, Junjo Romantica, Vampire Knight, and Sasaki and Miyano. The catalog covers comedy, romance, fantasy, supernatural drama, action, and youth-oriented storytelling.
Animated films · 1985
Theatrical animation
The studio has produced or co-produced animated feature films and theatrical side stories based on established properties. Its film work includes Angel's Egg, Patlabor: The Movie, Ranma ½ features, Fate/stay night: Unlimited Blade Works, Hakuoki films, The World's Greatest First Love films, Pretty Guardian Sailor Moon Eternal The Movie, Pretty Guardian Sailor Moon Cosmos The Movie, and Sasaki and Miyano: Graduation.
OVA/ONA · 1985
Original video animation and online animation
Studio Deen has maintained a substantial OVA and online-animation business alongside broadcast production. These releases include supplemental stories, adaptations, and special projects connected with Urusei Yatsura, Ranma ½, Rurouni Kenshin, Higurashi, Hetalia, Hakuoki, Junji Ito Maniac, and other properties. The format has allowed the studio to produce material outside standard television schedules and to support franchise releases for home-video and streaming audiences.
Production services
Digital and 3DCG subcontracting
Through Megumi and Umidori, Studio Deen’s group structure includes specialist support for digital work and 3DCG subcontracting. These capabilities complement conventional 2D animation and allow the group to participate in compositing, digital asset production, and computer-generated elements required by contemporary television, film, and streaming projects.
Brand decisions
2011
Integration into IMA GroupM&ABackground
Studio Deen’s corporate structure changed when it began operating as a subsidiary of IMA Group in April 2011.
Action taken
The studio became part of the IMA Group while continuing to operate under the Studio Deen name.
Aftermath
The group structure included Danny Donghua, Megumi, and Umidori, giving the broader organization Chinese subcontracting, digital, and 3DCG capabilities.
Sources1 sources
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