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X-Ray is a ballet by Peter Martins set to John Adams's 1994 Violin Concerto.

Last updated August 26, 2026

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Overview

X-Ray is a contemporary ballet created by Peter Martins, the New York City Ballet's balletmaster in chief, to the music of John Adams's Violin Concerto. The work was commissioned jointly by the Minnesota Orchestra and New York City Ballet, linking a major American symphony orchestra with one of the country's leading ballet companies. Its premiere took place on November 22, 1994, at the New York State Theater at Lincoln Center in New York City. The ballet is therefore associated primarily with the American concert-dance and classical-music institutions that commissioned and presented it, rather than with a commercial consumer-goods brand. The work uses Adams's Violin Concerto, composed in 1994, as its musical foundation. Martins's choreography translates the concerto's contemporary orchestral language into a staged ballet, placing the piece within the late twentieth-century expansion of the New York City Ballet repertory beyond its foundational George Balanchine and Jerome Robbins works. The available reference material identifies the Minnesota Orchestra and City Ballet as joint commissioners but does not provide detailed information about the original dancers, design team, critical reception, subsequent production history, or current performance status. Beginning in June 1995, X-Ray was performed as the third movement of Martins's related Adams Violin Concerto ballet. This repertory relationship is the principal documented development after the premiere: the work was no longer presented solely as an independent ballet but also functioned as one movement within a larger choreography organized around Adams's concerto. Because the subject is a ballet rather than a conventional commercial brand, fields concerning products, brand positioning, corporate ownership, executives, marketing campaigns, and financial performance are generally not applicable or are left unpopulated. The supplied country and consumer-staples classification conflict with the authoritative Wikipedia subject and have been corrected to reflect the work's identity as an American performing-arts production.

History

X-Ray was created in 1994 by Peter Martins for the New York City Ballet. Martins served as the company's balletmaster in chief and developed the work in response to John Adams's Violin Concerto, also dating from 1994. The project was commissioned jointly by the Minnesota Orchestra and City Ballet, giving it an institutional framework that combined orchestral commissioning with the production practices of a major ballet company. The premiere occurred on Tuesday, November 22, 1994, at the New York State Theater in Lincoln Center, New York. This venue was the principal home of the New York City Ballet and placed the work within the company's regular New York performance environment. The available reference material identifies the premiere date and location but does not specify the complete original cast, designers, conductor, violin soloist, or other production personnel. In June 1995, X-Ray began to be performed as the third movement of Martins's Adams Violin Concerto ballet. This presentation connected the work more directly to the full concerto-based choreography and represents the only documented change in its repertory framing in the supplied sources. The transition suggests that the choreography was treated not only as a standalone response to Adams's score but also as an integral section of a broader ballet built around the same musical composition. The available material does not establish a complete performance chronology, revival record, recording history, touring history, critical consensus, or present-day repertory status. It also contains no evidence that X-Ray is a consumer brand, Danish company, or commercial enterprise. The authoritative subject is a dance work, so corporate and brand-management fields are not applicable.

  • 1995

    Repertory integration

    [1]

    Beginning in June 1995, X-Ray was performed as the third movement of Martins's Adams Violin Concerto ballet.

  • 1994

    Commission and creation

    [1]

    Peter Martins created X-Ray for the New York City Ballet to John Adams's 1994 Violin Concerto. The Minnesota Orchestra and City Ballet jointly commissioned the work.

  • 1994

    World premiere

    [1]

    The ballet premiered on November 22, 1994, at the New York State Theater in Lincoln Center, New York.

Products and positioning

A contemporary classical ballet in the New York City Ballet repertory, combining Peter Martins's choreography with John Adams's modern orchestral music.

  • Ballet · 1994

    X-Ray

    A contemporary ballet choreographed by Peter Martins for the New York City Ballet and set to John Adams's 1994 Violin Concerto. It was jointly commissioned by the Minnesota Orchestra and City Ballet and premiered at the New York State Theater in Lincoln Center in November 1994. From June 1995, it was presented as the third movement of Martins's Adams Violin Concerto ballet.

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